Music as a higher form of the communication belongs equally to the creator and listener, with the fact that the former has an obligatory impulse to justify the trust and present the gift of love given by the God, while the later it can hear that but it doesn't need to hear it. What will happen depends on the circumstances, coincidences but also on the certainty. Some creators fulfil their task very early, conscientiously and on time, without thinking on the size or importance of the artistic mission, and some of them just partially or never, being occupied with the life's beauty or vices. In this way everyone has its own way, his beginning and ending, his failure and success. The rare are rewarded by the mentioning epochs. As long as there exist the belief that not everything artistic has yet been mentioned, that there is always something new to be said, it is not possible to mark with more intense emotion the points of the emerging shape if our spirit hasn't stepped in the imagination before and after the existing moment. Formally, the process takes the shape of the assigned player, with the walk by the beat of the soul's dictation and vibrating line of the first creator. Then it's not important anymore who's singin'over there. This transition from inaudible-possible into musically conscious is of aesthetically changing and playful spirit in the present over-perceptible moment. The sound images we don't see today remain the incentive for the future courage people.

Artistic analysis of the shaped theme, it represents the local flavour of the past times in this upcoming moment. I 'm not saying one doesn't need to feat through the musical heritage, on the contrary. It is necessary to run through the corridors of memories, since we find in them the answers to the questions of universal state of the spirit, whatever the time we belong to. There we will encounter the big and little, but grown-up in spirit. In this way we get to know ourselves faster on the individual pathway of the meaning. Musically universal, civilisationally inherited, at first hand.

Musical harmony at this time, if it doesn't contain the elements of harmony from the old masters, in the vocational sense, is not worth criticism or the place in the temple of music. However, today's business industry imposes music-macro-taste, neglecting the fact how the things have begun. Is that the need to intentionally misunderstand or bypass something, it will be understood the best when the divine sounds of the few replace the geopolitical sounds of the swirling masses. From historical perspective with those pictures in the present, we are waiting the society from the future. The modern world in music sense is more and more detuned and spiritually crippled. There is an insatiable need to compensate with the rhythm the absence of the melody, harmony and shape. When the musically necessary is absent, interior surrogates of the subjective worlds imitate by the value objective emptiness of the flat line impulse.